EA, The first step in Canon‘s mirrorless evolution, the Canon EOS R Mirrorless Camera with 24-105mm f/4 Lens pairs a redeveloped lens mount and updated full-frame image sensor for a unique and sophisticated multimedia camera system. Revolving around the new RF lens mount, the EOS R is poised to be the means from which to make the most of a new series of lenses and optical technologies.
Focusing on the camera itself, the Canon EOS R Mirrorless Camera features a high-resolution 30.3MP full-frame CMOS sensor along with a DIGIC 8 image processor. The combination of these technologies offers a wide sensitivity range up a native ISO 40000, fast continuous shooting to 8 fps, and UHD 4K30 video recording. In addition to imaging, the sensor also facilitates an advanced Dual Pixel CMOS AF system, which uses 5655 selectable points for quickly and accurately acquiring focus. This focusing system is also sensitive down to EV -6 for working in impressively dark conditions. The AF system is also perfectly matched to the UHD 4K video recording capabilities, which are also rounded out by Movie Digital IS to minimize camera shake, built-in Canon Log gamma for a greater dynamic range, and 4K 10-bit 4:2:2 output over HDMI for even greater color control.
Beyond the performance attributes, this camera has been designed from the ground up and features a high-resolution 3.69m-dot OLED electronic viewfinder for clear and bright eye-level viewing. Conversely, a rear 3.15″ 2.1m-dot LCD touchscreen is also featured, and has a swivel design to suit working from high and low angles. Also catering to the tactile cravings is a Multi-Function bar, which is customizable for intuitively adjusting shooting settings. And as a camera built to withstand the toughest environments, the magnesium alloy body is dust and moisture-sealed.
Canon RF Lens Mount
30.3MP Full-Frame CMOS Sensor and DIGIC 8 Image Processor
Dual Pixel CMOS AF
UHD 4K Video Recording and Canon Log Gamma
Integrated Canon Log also allows users to capture flat images with an improved dynamic range of 800%, or 12 stops. This function makes it easier to match cameras in post-production as well as provides the most latitude and potential for color grading. For monitoring, a View Assist function is available, which emulates a graded look for more accurate viewing on the camera’s LCD.
Audio can be recorded using the on-board stereo microphone or an optional external mic can also be used via the 3.5mm mic jack.